Browse our extensive range of Analogue Talkback and Intercom products below
“When I use a word, it means just what I choose it to mean – neither more nor less”
(Said by Humpty Dumpty in Through the Looking-Glass – by Lewis Carroll)
For a Glossary of Terms we use, 'Read More'
We have prepared a list of technical terms used on these pages and in our other product documentation.
We realise that some of these terms are used differently in other countries, and in other contexts – however,
this is the way we use them, after many years in the business!
Talkback or Intercom? Starting with the big question! We use 'intercom' to mean a
system where all stations (panels, etc.) have roughly equal status and can communicate freely with
each other. We use 'talkback' to describe a system where some stations can have a higher higher priority
than other stations or signals, and some channels may be inputs only and others outputs only. Hopefully
some of these special functions will be explained further down the page! Historically, we have read,
'talkback' has it's origins in sound recording studios, where the producer has a switch on his console
allowing him to 'talk back' to the performers in the studio. As the studio would be full of live
microphones, it was easy for the performers to talk to the producer.
Reverse Talkback (RTB) Logically following from the recording studio example, this is
'talk back' from the performer to the producer. In television studio communications, this is extended
to include 'talk back' from anyone who would normally just receive instructions, cameramen for example.
Production Talkback (PTB) (Also known as “Omni” talkback in some circles) This is
'talk back' from the production area to everyone else (the opposite to RTB, we suppose). In our systems,
this function is usually performed by the 'All' button. As this audio route is almost always live,
our panels usually provide an independent volume control (usually labelled 'Aux', as it can be configured
for other functions).
Engineering Talkback (ETB) Usually only used in the context of 'talk back' with
cameras, this circuit is separate from PTB, allowing the camera operators and vision engineers an
independent route for conversation that doesn't concern production (also, often used for conversation
between cameras). Not all cameras are provided with enough audio pathways to do this – our systems
can all be configured to work with separate PTB/ETB or combined talkback.
Ring Intercom Intercom system where everybody talks and listens on the same circuit –
the 'ring', sometimes referred to as a 'Partyline' system. This system is common in the USA and in
theatre systems, but increasingly being replaced by switching/matrix systems. Most of our systems can
interface with ring intercom systems (see 2-Wire and Belt Pack, below).
Interrupted Foldback (IFB) Another term that has historical links with sound recording
studios. In recording, or live performance, foldback is the means of allowing the performers to hear
themselves – so 'interrupted' foldback simply means that talkback from somewhere else momentarily replaces
the normal foldback. In most systems, the existing foldback (described as 'Standing Feed' in our product
descriptions) is simply muted, but in more sophisticated setups, the foldback reduces to a set level – so
it can still be heard.
4-Wire A simple shorthand for balanced line-level input and output – 2 wires for the input
and 2 wires for the output. In talkback systems, 4-wire is a very versatile interface, with many uses.
Often, the input and the output are used for talkback to/from the same area, but not always. In IFB,
normally the input is used for the 'standing feed' input to the output – this is often used for presenters
who can be heard through the usual monitors, so don't need a reverse talkback path. Sometimes an output
doesn't need an associated input connection, or an input doesn't need an output – in larger installations
there can be a considerable difference in the numbers of inputs and outputs!
2-Wire A simple shorthand for a circuit where the input and the output are combined
onto the same wires. This usually requires a fixed terminating resistance to the line and some form of
bridge circuit to extract the input from the output. In the past, some camera intercom circuits were
balanced 2-wire terminated in 600 Ohm – but it's a long time since we've seen that configuration!
Other examples of 2-Wire circuits are ring intercom belt packs and telephone lines – although telephone
line interfacing is beyond the scope of this article!
Belt Pack Pretty much what it sounds like – a portable communications station worn
on the belt. Usually these are wired 2-Wire units, but increasingly they are wireless units (again,
beyond the scope of this piece). As well as various proprietary systems, there are two 'standards'
for connecting 2-Wire belt packs – naturally, our systems are compatible with both! Simplest is the
circuit used by manufacturers like Clearcom and ASL – using an XLR connector with a pin each for ground,
power and audio (single ring, also with signalling on the same circuit). Slightly more complicated and
versatile is the 'TW' circuit used by RTS – again using a single XLR connector, with a pin each for ground
and two audio circuits (the power is also supplied over the same connections as the audio).
Model Number | 4006 |
Input Voltage | 85-265 VAC or 12 VDC |
Power Consumption | 6VA excluding belt packs - 25VA maximum |
Input Channels | Inputs 1-6 via rear XLR and 4 inputs via rear aux 15 way D-type connector. Balanced line level or configurable belt pack interface |
Output Channels | Outputs 1-6 via rear XLR connector |
IFB output | All channels can operate with IFB. Each channel can use a mix of up to 8 sources as the IFB standing feed - inputs 1-6 and 2 auxiliary inputs |
Belt Packs | Each channel can be configured to work with ring intercom belt packs. Any channel can be configured to work with single-channel systems, compatible with Clearcom and ASL, or with dual-channel systems, compatible with FACE Systems' belt packs and RTS. In dual-channel mode, the second channel may be fed from any of the 4 auxiliary inputs |
Loudspeaker Power | 5 Watt (internal or external loudspeaker) |
Frequency Response | 20Hz - 20KHz (-3db) |
Distortion | < 0.2% |
Line Input Noise | < -70dBu |
Microphone Input Noise | < -115dBu (ein) |
Dimensions | (W) 482.6mm x (H) 44mm x (D) 135mm - excluding knobs/connectors |
Weight | 1.7 kg |
Mounting | 1U 19" rack mount |
Model Number | 5305 |
Input Voltage | 85-265 VAC or 12 VDC |
Power Consumption | 6VA excluding belt packs - 25VA maximum |
Controls | Talk to all, talk to slave panels 2-4, volume control for slave panels, talk to IFB 1-2, talk to all cameras, volume control for cameras, talk to main 2/4-wire, volume control for main 2/4-wire, talk to aux 2/4-wire, volume control for aux 2/4-wire and volume control for configurable aux input. |
Input Channels | 8 cameras via rear 37-way D-type connectors, main 2/4-wire channel via rear XLR connectors and 4 inputs via rear aux 15 way D-type connector |
Output Channels | 8 cameras via rear 37-way D-type connectors, main 2/4-wire channel via rear XLR connectors and 3 outputs via rear aux 15-way D-type connector |
IFB output | 2 aux channels can be configured as IFB with dedicated standing feed inputs. 2/4-wire channels can also be configured as IFB with flexible choice of standing feeds |
Belt Packs | Each channel can be configured to work with ring intercom belt packs. Any channel can be configured to work with single-channel systems, compatible with Clearcom and ASL, or with dual-channel systems, compatible with FACE Systems' belt packs and RTS. In dual-channel mode, the second channel may be fed from any of the 4 auxiliary inputs. The aux 2/4-wire channel can be configured to work with single-channel systems only |
Loudspeaker Power | 5 Watt (internal or external loudspeaker) |
Frequency Response | 20Hz - 20KHz (-3db) |
Distortion | < 0.2% |
Line Input Noise | < -70dBu |
Microphone Input Noise | < -115dBu (ein) |
Dimensions | (W) 482.6mm x (H) 44mm x (D) 135mm - excluding knobs/connectors |
Weight | 1.7 kg |
Mounting | 1U 19" rack mount |
Model Number | 5308 |
Input Voltage | 85-265 VAC or 12 VDC |
Power Consumption | 6VA excluding belt packs or slave Panels - 25VA maximum |
Controls | Talk to slave Panels 2-4, volume control for slave Panels, talk to cameras 1-8, volume control for cameras and volume control for configurable aux channel. |
Input Channels | 8 cameras via rear 37-way D-type connectors, main 2/4-wire channel via rear XLR connectors and 4 inputs via rear aux 15 way D-type connector |
Output Channels | 8 cameras via rear 37-way D-type connectors, main 2/4-wire channel via rear XLR connectors and 3 outputs via rear aux 15-way D-type connector |
IFB Outputs | 2 aux channels can be configured as IFB with dedicated standing feed inputs. 2/4-wire channels can also be configured as IFB with flexible choice of standing feeds |
Belt Packs | Each 2/4-wire channel can be configured to work with ring intercom belt packs. The main 2/4-wire channel can be configured to work with single-channel systems, compatible with Clearcom and ASL, or with dual-channel systems, compatible with FACE Systems' belt packs and RTS. In dual-channel mode, the second channel may be fed from any of the 4 auxiliary inputs. The aux 2/4-wire channel can be configured to work with single-channel systems only |
Loudspeaker Power | 5 Watt (internal or external loudspeaker) |
Frequency Response | 20Hz - 20KHz (-3db) |
Distortion | < 0.2% |
Line Input Noise | < -70dBu |
Microphone Input Noise | < -115dBu (ein) |
Dimensions | (W) 482.6mm x (H) 44mm x (D) 135mm - excluding knobs/connectors |
Weight | 1.7 kg |
Mounting | 1U 19" rack mount |
Model Number | 5305s (compatible with 5308 & 5305) |
Input Voltage | 12VDC via master panel |
Power Consumption | Typical 2VA, maximum 6VA excluding belt packs |
Controls | Talk to All, talk to 3 other Panels, volume control for slave Panels, talk to IFB 1-2, talk to all cameras, volume control for cameras, talk to main 2/4-wire, volume control for main 2/4-wire, talk to local aux 2/4-wire, volume control for local aux 2/4-wire and volume control for configurable aux channel |
Input Channels | 1 input via rear aux 15 way D-type connector |
Output Channels | 1 output via rear aux 15-way D-type connector |
Loudspeaker Power | 5 Watt (internal or external loudspeaker) |
Frequency Response | 20Hz - 20KHz (-3db) |
Distortion | < 0.2% |
Line Input Noise | < -70dBu |
Microphone Input Noise | < -115dBu (ein) |
Dimensions | (W) 482.6mm x (H) 44mm x (D) 135mm - excluding knobs/connectors |
Weight | 1.7 kg |
Mounting | 1U 19" rack mount |
Model Number | 4503 |
Input Voltage | Input Voltage - 85-265 VAC or 12 VDC |
Power Consumption | 6VA excluding belt packs - 25VA maximum |
Controls | Select cue inputs for distribution to presenter outputs, talk to presenter with master and individual output level controls, talk to studio, talk to 2/4-wire, volume control for 2/4-wire, master mute and master volume control |
Input Channels | 5 Cue inputs via rear panel XLR, and 2/4-wire channel via rear aux 15 way D-type connector |
Output Channels | 4 Presenter outputs via rear XLR connectors, 3 Studio outputs via rear XLR connectors, 2/4-wire channel via rear aux 15-way D-type connector |
Presenter IFB Outputs | The presenter distribution amplifier receives a mix of the selected Cue inputs, with IFB function whenever talk to Presenter is active. Each output has an independent send level control and an overall master level control |
Loudspeaker Mix | The Loudspeaker mix can be configured to listen to all the Cue inputs, only the Cue inputs that are switched on, or the output to the Presenter distribution |
Belt Packs | The 2/4-wire channel can be configured to work with single-channel belt packs, compatible with Clearcom and ASL |
Loudspeaker Power | 5 Watt (internal or external loudspeaker) |
Frequency Response | 20Hz - 20KHz (-3db) |
Distortion | < 0.2% |
Line Input Noise | < -70dBu |
Microphone Input Noise | < -115dBu (ein) |
Dimensions | (W) 482.6mm x (H) 44mm x (D) 135mm - excluding knobs/connectors |
Weight | 1.7 kg |
Mounting | 1U 19" rack mount |